Anthropocene Calling

Anthropocene Calling

出版社: 春風社
著者: 中村靖子、武田宙也、Giuseppe Patella
  • ノーベル化学賞受賞者のパウル・クルッツェンが提唱した「人新世」という概念を軸に、多領域の知見を集成。農耕開始や産業革命、核時代といった開始時期の論争から、西洋中心主義への批判、日本思想(西田幾多郎等)との対話までを網羅。人間活動が地球を塗り替える現代において、学際的視点から「人間と自然の再定義」を試みる。本文英語。
  • The Many Faces of the Anthropocene. Introduction, Giuseppe Patella
    Part 1 - The Anthropocene between Philosophy, Ecology, Aesthetics
    1 Giuseppe Patella, What’s Wrong with the Anthropocene? Critique of an Ideology
    2 Federico Luisetti, A Pluriversal World: Exiting the Anthropocene
    3 Atsushi Okada, Ecology as Aesthetics: Alexander von Humboldt, Ernst Haeckel, and Elisée Reclus
    4 Francesco Campagnola, Anthropocene as Historic-Ontological Awareness
    5 Nozomu Ninomiya, Adorning the Appearance: Exploring the Intellectual History of Animal Aesthetics
    6 Paolo Heritier, The Chorological Space of Being Human between East and West
    Part 2 - Technology in the Age of the Anthropocene: Human, Machine, and Habitus
    7 Roberto Terrosi, The Technocene: For a New Phenomenology of Spirit
    8 Hideki Ohira, The Neuro-Habitus: Brain-Body Mechanisms Generating, Maintaining, and Changing Human Mind
    9 Mario Verdicchio, Anthropocene: The Other Sociotechnical Blindness
    10 Yasuko Nakamura/Wanwan Zheng, To Shape Oneself, to Reconfigure the Word: Exercises in Anthropotechnics and the Potentiality of Thinking
    11 Yu Izumi, Abusive Language in the Age of AI: Insights from the Japanese Linguistic and Cultural Context
    12 Tetsuya Yamamoto, Digital Mental Health Care in the Anthropocene: Enhancing Life with AI and ICT
    Part 3 - The Anthropocene and the Arts
    13 Hironari Takeda, Naoya Hatakeyama and Images of the Anthropocene: Catastrophe, Sublime, and Ruins
    14 Vincenzo Cuomo, The Anthropocene from a Parasitic Perspective. The Long End of Neolithic Civilization and the Role of Artistic Experimentation
    15 Ayako Ikeno, How to Imagine the Atmosphere: Mikami Seiko’s sculptures in the Age of Anthropocene
    16 Asako Fukuda, “Immunity” and Zombies
    Afterword: For Further Collaboration, Hironari Takeda

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